The acting is relatively tight (except for Eastenders rejects serving as vampyrettes), with all of Millington, Rev. Wainwright, Judson and Kathleen Dudman being portrayed convincingly. It is much more striking for the simple fact that's it's backed by quality production values - SFX, animatronics (?) and masks.
Thinking outside the box. Perhaps Ian Briggs' most impressive feature in this script is his lateral thinking skills. The "chess" motif is done to death in nearly every media, but it's utilised well here - as is faith being the only defence against haemovores. It is, however, unsurprising that there is an underlying pessimism about humanity's future given the serial was commissioned and edited by Andrew Cartmel (whose book Warlock) I found amongst the best of the Virgin New Adventures.
Even though the Cartmel Masterplan - and the Script Editor has implied he spent three years obsessed with Sophie Aldred - was discussed in point one, Ace's attempted-sexy "There's a storm coming" sequence is just embarrassing, for the writer and actor. I don't care if it's part of the "coming of age" story arc, it's about as erotic as a wet fart and sounds only marginally better.
In a word: Crescendo.
Rating: 4.
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